The Electric Dr M and Spring Heel Jack
The Spitz, 11 October 2004
This is the first
concert of a short tour by The Electric Dr M and Spring Heel Jack playing
together as a single entity. Sadly there’s no sign of indulgent supergroup
behaviour, but the pairing of The Electric Dr M’s millenial electric
jazz and Spring Heel Jack’s recent focus on structured improv makes
tonight’s concert an intriguing prospect. The twin guitars of John Coxon
and Chris Sharkey gradually propel a rhythm out of an almost stationary prologue
maintained by the other five players. As the tempo increases, Matthew Bourne
batters the increasingly hypnotic beat with spiky note clusters that recall
Miles Davis’s keyboard technique circa Agharta. Those clusters explode
like stuka bombs as Bourne plays a Rhodes solo whose manic instability threatens
to disintegrate the music it rides. The two drummers, Dave Black and Sam Hobbs,
forcefully morph the group into a juggernaut whose brakes have failed and
the abrasive sound of its extended impact hits the audience in a brutally
drawn-out assault. Then the rhythm cuts out without warning and the music
is suddenly becalmed again. That’s pretty much the template for the
evening: quiet, floating passages alternate with a variety of propulsive rhythms
strafed by Bourne and Ashley Wales. What marks this music out is its singular
lack of release: the music doesn’t go anywhere. It rapidly builds up
intensity, then continues that way until it stops. Picture the Borg’s
cuboid spaceship as it moves implacably through space. Alternatively, think
of the throbbing relentlessness of Joey Beltram’s techno classic, Energy
Flash or the latest, bastard offspring of breakbeat: Grime’s pollarded
form. This evening’s music is all about rhythm and its absence; rather
than warp the structure, the seven musicians cling to their forward momentum
like it’s the only liferaft on a very stormy sea. It feels like they’re
mapping out new ground rife with landmines: challenging, provocative stuff
with a sulphurous whiff of nihilism.
Colin Buttimer
Published by Jazzwise magazine